Cultural transmission and textile technology in SouthEastern Nigeria: A batik textile exploration

Abstract

Igbo culture possesses messages encapsulated in its cultural symbols and motifs. Effectively engaging younger generations through evidence-based research is crucial for harnessing the full potential of these messages in national development. Through textile design technology, particularly in the realm of batik, one explores the rich cultural symbols and motifs to characterise Igbo apparel. This approach not only fosters cultural transmission but also ensures that these traditions are preserved and passed down, creating a meaningful connection between the past and present. Exploration of the possibility of preserving and transmitting the cultural significance of Ugwumagala and Ego kiri kiri using batik textiles constitutes the purpose of this study. Practice-led studio research approach that allows researchers to incorporate their creative practice was used. Results showed that Ugwumagala, which means chameleon, symbolises lots of virtues expected of leaders, such as caution, ease of adaptation to any situation among the Igbo people, who are almost the widely travelled ethnic groups in Nigeria and found in different parts of the world. This animal, being unpredictable and changeable, symbolises flexibility, as one could hide one's true colours to blend with the prevailing environment for safety, to socialise with every person in society. Also, Ego Kiri Kiri motifs are derived from indigenous traditional Igbo currency—Okpogho (Manila) and cowries collectively called Ego Kiri Kiri used in Igboland in the olden days. It symbolised wealth, and its excavation portends good fortune/omen in the future. Conclusively, this study has shown the potential of textile technology, while further research is recommended.